Miles Kane, the British singer-songwriter who has firmly established himself as more than just half of The Last Shadow Puppets, brought his Sunlight In The Shadows tour to 013 in Tilburg, Netherlands on March 16, 2026. Having released six studio albums and consistently toured both festivals and clubs across Europe, Kane’s performance offered a compelling evening of music for fans.
A shift in venue from 013’s main hall to the more intimate Next space initially surprised some attendees. While organizers framed the change as a move towards a “more cozy” atmosphere, it quickly became apparent that ticket sales hadn’t quite met expectations. However, for many, the smaller venue presented an opportunity for a closer connection with the artist. The Next was already well-populated when support act Badminton took the stage.
Hailing from Enschede, Netherlands, Badminton delivered a high-energy set drawing influence from a range of genres including post-punk, grunge, and shoegaze. The band paid homage to musical heroes like Nirvana, Joy Division, and Alice In Chains, while simultaneously showcasing their own distinct style. Their performance was marked by palpable enthusiasm, and the thirty-minute set felt fully utilized. Frontman Luca de la Haye briefly engaged the crowd, gauging their readiness for Miles Kane, before launching into a set that ignited a mosh pit and thoroughly warmed up the audience.
As the stage transitioned, a selection of Britpop classics filled the speakers, even eliciting a singalong from a fan sporting an Oasis shirt. The atmosphere hinted at potential future collaborations, with rumors circulating about Miles Kane possibly opening for Oasis in 2027.
Kane took the stage and immediately focused on material from his 2025 album, Sunlight In The Shadows, produced by Dan Auerbach of The Black Keys. This collaboration brought a bluesier, more American sound to Kane’s performance, a departure from his traditionally British-leaning style. Opening with “Sing A Song To Love” and quickly following with “Electric Flower,” Kane demonstrated the strong fit between his artistry and the new sonic direction. The band launched into a rapid-fire set, seamlessly blending new tracks with older favorites from albums like Colour Of The Trap and One Man Band.
After a few songs, Kane addressed the Tilburg crowd, acknowledging the energy in the room. He playfully encouraged more vocal participation from the audience, admitting that silence made him nervous. Despite any perceived need for encouragement, the atmosphere was undeniably positive, enhanced by a well-executed light demonstrate tailored to the intimate space. The technical aspects of the performance were solid, allowing Kane to deliver a dynamic and engaging show.
The setlist continued to draw heavily from Sunlight In The Shadows, with tracks resonating with the audience. However, older material like “Inhaler” and “Colour Of The Trap” elicited particularly enthusiastic responses. The biggest reactions were reserved for the closing songs, including “Coup De Grace,” “Never Taking Me Alive,” and a rousing rendition of “Don’t Forget Who You Are,” complete with a reprise of the song’s signature “la-la-la” chorus. Kane concluded the night with a powerful performance of “Approach Closer,” bringing a fitting end to a set that spanned approximately eighteen songs in just over an hour.
Miles Kane’s performance in Tilburg proved a success, despite the venue change and slightly smaller turnout. The energy was high, the music was strong, and the connection with the audience was palpable. The possibility of Kane supporting Oasis in 2027 remains a tantalizing prospect for fans.
Miles Kane’s next confirmed performance is currently unconfirmed, but fans can stay updated on his official website for future tour dates and announcements.
