Telecinco presenter has made his new face, in a literal sense. Last week, at All Stars Survivorstried to disguise his face. He wore sunglasses and completion he always showed him in a general plan so that the radical aesthetic surgery was not appreciated. This week, he connected with his chain companion Joaquín Prat covering his face with a handkerchief, creating more mystery around his image. And finally, when he started Jorge’s diarywe discovered, with stupor, the results of its complete facial lifting and all kinds of complementary interventions. “Hello everyone, I’m Jorge Javier even if I don’t seem like it“ It announced only to begin. The appearance was spur. an excuse to justify what he really wanted: “Remember one thing and that is recorded in the brain: programs, such as faces, need time to settle“. We will have to see how the facial carnation sits, but right now it is as if the transformation of the presenter is part of the show itself, in a fascinating mix of horror and morbidity.
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The shocking image highlights the tyranny of the aesthetic pressure that the chain exerts on its employees. Much have become putxinellis who make their body available to the television medium to survive. There are many presenters and collaborators who undergo constant treatments and interventions, making obvious the surgical manipulation of their face. In fact, they have often turned it into the same television story. They struggle to maintain an eternal youth that becomes disturbing and unnatural. It is a fish that bites its tail. To continue in front of the cameras, they understand that it needs to be operated, new operations are needed over time to adapt to new standards. The more operations, the more grotesque the result and, therefore, the more the need to “correct” the physique, the more the need to re -correct.
Before, a presenter’s face was a mediation tool with the audience. It had to be transmitted proximity and confidence, to be a kind of mirror of the spectators. Now, the faces, especially in Telecinco, are masks. The same chain ends with standardizing false faces that the audience ends up getting used to it. And thus contributes to creating new image standards where the unnatural is naturalized. Instead of transmitting authenticity and credibility, they communicate imposture, falsehood and insecurity, apart from physical prejudices and age. Jorge Javier Vázquez, more than emanating youth, has ended up with the same artificiality, aberration and farce as the contents presented on television.
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